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PINPOINT pH Replacement Probe is designed especially with your purpose in mind. It features long, continuous duty expectancy, fast response and, most importantly, is non-toxic to your system. Each probe features a 10 foot cable with a high interference suppression jacket and Ag-AgCl reference. American Marine PINPOINT pH Replacement Probe 10 foot cord Ag-Ag/Cl reference Extended life High supression cable jacket

Features

• 10 foot cord
• Ag-Ag/Cl reference
• Extended life
• High supression cable jacket

List Price: $139.99
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Description

American Marine PINPOINT pH MonitorThe PINPOINT pH Monitor is in use by thousands of customers worldwide. This affordable unit remains the only full-time pH monitor with .01 resolution. The PINPOINT pH Monitor requires only a 9-volt battery and is sold complete with probe and calibration fluids. The electrode is also available separately and fits any meter or monitor. Comes complete with meter, probe and all calibration fluids. Given proper care, the PINPOINT pH Monitor should last a lifetime. PINPOINT pH Probe comes with a 10 foot high supression cable and a BNC connector. Powered by a standard 9-volt battery (not included). Optional AC Adaptor Kit 2 Year Manufacturer`s WarrantyAmerican Marine PINPOINT High-Precision pH Calibration Fluids10.000 +/- 0.002These come in single-use plastic envelope packets, and they are extremely accurate and field portable. Each packet contains enough fluid for a complete calibration (about 30 ml) and is intended to be discarded after use. pH monitor and controllers should be calibrated monthly.American Marine PINPOINT High-Precision pH Calibration Fluids7.000 +/- 0.002These come in single-use plastic envelope packets, and they are extremely accurate and field portable. Each packet contains enough fluid for a complete calibration (about 30 ml) and is intended to be discarded after use. pH monitor and controllers should be calibrated monthly.Includes Pinpoint pH Monitor, pH probe, AC adapter kit, and 3 sets of each calibration fluid (#7.00 & #10.00)

Features

• Given proper care, the PINPOINT pH Monitor? should last a lifetime.
• PINPOINT pH Probe comes with a 10 foot high supression cable and a BNC connector.
• Powered by a standard 9-volt battery (not included).
• Optional AC Adaptor Kit
• 2 Year Manufacturer`s Warranty

List Price: $5.99
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Handcrafted in the USA to the highest standards using licensed materials with great individual care and attention to detail. The image has been sealed between 2 sheets of crystal clear acrylic. We are certain that you will be completely delighted and satisfied with our product. All purchased Items will arrive via USPS and a the tracking # will be sent to you. We also offer matching Drawer Knobs, Outlet Covers, Double Size Switchplates, Triple Size Switchplates, Rocker GFI Covers, Combo Switchplates, Phone and Cable Covers.

Features

• High Definition Image
• Made Using High Quality Strong Acrylic
• Unique / Custom Made / Shatter Proof
• Strong Magnet for Firm Grip
• Image Size is 3-1/2" X 2-1/2"

List Price: $99.98
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Avant-garde cinema remains unseen for all sorts of reasons. Because it's rare. Because it's elusive. Because the mainstream distribution and exhibition apparatus is not designed to serve it (and, arguably, to a large extent is designed to suppress and deny it). Because people--that vast army of us proud to be unpretentious "regular moviegoers"--basically don't want to see it, fearing that it's esoteric and challenging and probably boring. These are excellent--which is to say, very real--reasons. Except that, as of autumn 2005, they're obsolete. All but the personal-resistance part, anyway. Now, thanks to Anthology Film Archives, curator Bruce Posner, and the cooperation of the world's foremost film museums, anybody with a DVD player can make the acquaintance of 20some hours of definitive avant-garde film experiences through this often dazzling seven-disc set. And whaddaya know: a lot of "unseen cinema" turns out to be fascinating, thrilling, spectrally beautiful, tantalizingly mysterious--in a word, eye-opening, to both the art of film and the world we all share. Moreover, it's not all precious, artist(or would-be artist)-in-a-garret stuff. Some of it has glimmered on regular movie screens, from nickelodeon days through the golden age of Hollywood, doing its avant-garde thing (often without knowing it's avant-garde) as one- and two-reel narratives or astonishing sequences in commercial Hollywood pictures. A 1910 D.W. Griffith two-reeler that compresses several decades (including the Civil War) into 16 minutes. Prologue and transitional montages that goosed up pedestrian feature films with lunges into jagged surrealism and abstraction. The erotically crazed, visually dynamic, sometimes nightmarish phantasmagoria that are Busby Berkeley's "By a Waterfall" and "Lullaby of Broadway." In Posner's own words: "American experimental film has existed since the technological inception of cinema ... The background against which the experimentalists toiled provides a fascinating review of Americana coupled with numerous cross-currents ... and an unfailing desire to create on film an image that can be viewed as an independent and provocative art.... The goal [of this set] is to present the broadest possible spectrum of experimental films produced between the 1890s and 1940s." Each of the seven discs is organized around a central theme, and which one you first reach for will be determined by individual curiosity and susceptibility. The Devil's Plaything: American Surrealism steps off with Edwin S. Porter's 1902 Jack and the Beanstalk, its visionary transformations of settings and now-you-see-'em, now-you-don't appearances and disappearances of cast members the more remarkable for having been entirely achieved in the shooting, without postproduction optical trickery. Griffith's cameraman-to-be Billy Bitzer sends time scurrying dreamily backwards in Impossible Convicts (1905), while such classic 1920s experiments as The Fall of the House of Usher and The Telltale Heart seek to meet Edgar Allan Poe halfway by portraying distorted/demented worlds via stylized lighting and decor. The ambitious Robert Florey, whose feature-directing career would be almost entirely confined to the B zone, collaborates with montage maestro Slavko Vorkapich on The Life and Death of 9413--A Hollywood Extra and with premier production designer William Cameron Menzies on The Love of Zero. Inverted Narratives: New Directions in Storytelling includes Suspense, a 1913 two-reeler by Lois Weber that emulates and occasionally tops her august contemporary, D.W. Griffith; the adventurous selection of camera angles and big, then still-bigger closeups continue to amaze. Charles Vidor's The Bridge, a 1929 rendering of the Ambrose Bierce story "An Occurrence at Owl Creek Bridge," is starker than but not inferior to the more poetic French version that won an Oscar in the 1960s. Josef Berne's Black Dawn, aka Dawn After Dawn, weaves a Gothic spell with its account of love and death on an isolated farm, including a startling passage of sunstruck eroticism. And twelve minutes of Leo Hurwitz and Paul Strand's agitprop, allegorical docudrama of American corporate fascism Native Land, narrated by Paul Robeson, inspires an urgent wish to see the entire film. Light Rhythms: Music and Abstraction moves from surrealist milestones such as Man Ray's Le Retour à la raison, Fernand Léger's Ballet mécanique, and Rose Sélavy's Anémic cinéma (an anagram many times over) to never-seen full-length versions of montages created by Slavko Vorkapich for such films as Crime Without Passion and The Firefly. Vorkapich's mesmerizing nature poem Moods of the Sea, set to Mendelssohn's Fingal's Cave, is among the most relentlessly stunning passages on celluloid. An ecstatically extended bal sequence from Ernst Lubitsch's So This Is Paris inspires, again, a craving to see that unavailable 1926 feature film, while George L.K. Morris' Abstract Movies is an encyclopedic and hilarious amateur re-creation of fond cliches and tropes of generic filmmaking. Still, if one had to pick a single DVD to luxuriate in (and one can: it's the only disc available separately), it would have to be Picturing a Metropolis: New York City Unveiled. The Blizzard, a Gotham panorama grabbed by an unknown cameraman standing outside the Mutoscope film company office one day in 1898, is one of the most enchanting moments you'll ever experience on film, with an urban crowd sharing the bemusement of a winter day slipping into evening, and the fairy-tale vastness of a nearby park softened by falling snow: an absentminded documentary record become sheer poetry. Bitzer's Interior New York Subway, 14th Street to 42nd Street, an unbroken take from the front of an onrushing train (with supplementary illumination supplied by lights mounted on another train on a parallel track!), was shot in 1905, though the itinerary looks exactly the same today; only the crowds have changed. (One comical, endearing touch: a mother and her children, caught in passing at Grand Central, stop in their bustling journey to stare at the camera.) The 1901 Demolishing and Building Up the Star Theatre uses time-lapse photography to chronicle the taking down, and then to imaginatively ordain the resurrection, of an urban show palace. And Robert Flaherty's 24 Dollar Island (c. 1926) is so razor-sharp and judiciously observed that it remains the definitive portrait of Manhattan on film--truly a portrait of the city itself as a living, dynamic space, with scarcely any intrusion of humankind to distract us from the place, its light and shapes and rhythms. There's additional, virtually prehistoric contemplation of urban spaces--including the 1900 Paris Exposition and the Eiffel Tower--in The Mechanized Eye: Experiments in Technique and Form. The Amateur as Auteur: Discovering Paradise in Pictures celebrates the intentional and inadvertent sublimities of home movies. And Viva la Dance: The Beginnings of Ciné-Dance collects everything from the various Annabelle Dances of 1894-97 through Mexican footage shot for Sergei Eisenstein's Que viva México to one more bravura sequence by Busby Berkeley (from Wonder Bar) and the avowedly avant-garde Tarantella and Spook Sport by Mary Ellen Bute in 1940. It cannot be overstated that much of this footage is beautifully preserved, whether transferred from paper prints or exhumed from still-luminous nitrate footage cached in a European archive. And the brief headnotes by such authoritative commentators as Jan-Christian Horak, David Shepard, Kevin Brownlow, and Bruce Posner himself are marvels of lucidity and concision, supplying just the right context--in a mere 50 words or so--to enable the uninitiated viewer to appreciate the film he or she is about to witness. Unseen Cinema is not just (just!) an awesome collection of film landmarks--it's a landmark achievement in its own right. --Richard T. Jameson

A treasure trove of 155 little-seen films that stretch the boundaries of cinema's possibilities, this seven-disc set features avant-garde accomplishments from legendary figures such as Welles, Eisenstein and Lubitsch, as well as the works of lesser-known professionals and amateurs not constricted by mainstream tastes. Volumes include "The Mechanized Eye: Experiments in Technique and Form," "The Devil's Plaything: American Surrealism," "Light Rhythms: Music and Abstraction," "Inverted Narratives: New Directions in Storytelling," "Picturing a Metropolis: New York City Unveiled," "The Amateur as Auteur: Discovering Paradise in Pictures," and "Viva La Dance: The Beginnings of Cine-Dance." 18 3/4 hrs. total. Standard; Soundtrack: English Dolby Digital stereo.

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Visions of Light is not just for film buffs. In fact, if the presentation of the Oscar for Best Cinematography is your cue to take a bathroom break from the Academy Awards, then this exhilarating documentary will help you see movies in a whole new light. Named Best Documentary by the National Society of Film Critics as well as several film-critic associations, Visions of Light traces the history and illuminates the art of cinematography. It profiles the cameramen who pioneered the visual language of cinema (such as D.W. Griffith's cameraman Billy Bitzer and Gregg Toland, who shot Orson Welles's Citizen Kane), as well as the masters they influenced, among them Néstor Alemendros (Days of Heaven), Vilmos Zsigmond (McCabe and Mrs. Miller), and Gordon Willis, the affectionately nicknamed "Prince of Darkness" who shot the Godfather films. From Birth of a Nation to Blade Runner, from Gone with the Wind to GoodFellas, this feast for the eyes spans nearly a century with sequences from more than 125 movies made immortal by the artful use of light and shadow to realize the director's vision. William Fraker, who shot Rosemary's Baby, recalls filming the scene in which Ruth Gordon's sinister character is seen in a bedroom talking on the phone at the far end of a corridor. Director Roman Polanski suggested that Fraker move his camera so her body would be concealed by a door and audiences could only see her back. Fraker remembers later watching this scene in theaters and seeing the audiences shift in their seats trying to peek around the door. --Donald Liebenson

Experience the dazzling story of cinematography as seen through the lenses of the world's greatest filmmakers and captured in classic scenes from over 125 immortal movies. Discover Gordon Willis's secrets of lighting Marlon Brando in "The Godfather" and Greg Toland's contributions to "Citizen Kane." Hear William Fraker on filming "Rosemary's Baby," Vittorio Storaro on his use of color and light in "Apocalypse Now" and much, much more. From black and white to Technicolor, silent to "talkie," glittering Hollywood musical to film noir and art film to blockbuster, this critically acclaimed masterpiece presents movies in a new and unforgettable light!

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Vividly portrayed in this American Masters Special, photographer Richard Avedon shoots for two different worlds. Primarily, he is a fashion photographer, having worked for various magazines for more than 50 years. Of particular note is the description of photographing Natassja Kinski, a shoot that took two hours of her lying naked on a cement floor as they tried to coax a snake up her body. As a fashion photographer, Avedon became known for his sense of movement and the energy he captured in each image; he gets exquisite models to leap, move, and flip their hair. His second, and perhaps lesser-known, body of work is art photography, including portraits of the famous and the unknown, with a signature style of photographing his sitters on a white background with no props. This documentary ably captures the tension between these two directions in his work by overlaying the positive and negative viewpoints about his photography in a collage of voiceovers. We learn how Avedon views his role as a photographer, and that for him the end result captures "the death of the moment." Also included are the controversial images of his dying father. This program aptly depicts this highly creative man exposed through his work as vulnerable, obsessed, and a perfectionist. This 81-minute-long program will interest a broad audience, from those interested in fashion, people of our times, the history of the 20th century, artists and art historians, and photography in general. --Anne Barclay Morgan

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Enriched with Papaya enzyme and blended with tropical herbs to whiten the skin. For clearer and fine skin complexion.It is made of 100% organic herbs enriched with Natural Papaya Enzyme that whitens your skin and keeps it smooth and young looking. Complexion becomes fair and acne-free.Its organic herbal content is so gentle and does not inhibit the natural oil production activity of the skin therefore it keeps young looking and your face free of aging lines. After use, it does not leave any greasy residue on the skin.

Features

• Made of 100% organic herbs enriched with Natural Papaya Enzyme
• Complexion becomes fair and acne-free
• First filipino pure organic herbal soap
• Has no strong odor & has no harsh ingredients
• Whitens your skin and keeps it smooth and young looking

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Bring the sunlight back to your Sunlight lamp with this 27W Tube Bulb! Save$$$$ on your electric bills! The high-tech 27-wattbulb, with a C.R.I.(Color Rendering Index) of 80-85, gives as muchlight as an ordinary 150-watt bulb, but uses far less energy. The bulb can last up to 5000 hours, 5x longer than other bulbs- for years ofnormal use. What is the KELVIN Temperature? The Kelvin temperature is 6500K. How many Lumens does it give off? The bulb gives off 1300 LUMENS

Features

• Item # : TG-72-TUBE27
• Dimensions: 0.75" L x 3.13" W x 5.75" H
• Free Shipping within the lower 48 contiguous (USA states)

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A universally compatible enrty level earbud. Key Features:Basswind system Outstanding wearing comfort Availalable in white or black Asymmetrical cable eliminates cable clutterGeneral Description:The MX 460 are the perfect entry-level earbud featuring Sennheiser's innovative "Basswind" system, offering the best sound for your ears at this price. Additional Features: Ideal for use with all MP3, CD, DVD players and portable gaming systems Sennheiser "Basswind" system produces deep, rich bass response High-performance dynamic driver system Outstanding wearing and handling comfort on the go Asymmetrical cable design reduces cable clutter in front of the wearer The long cable discretely goes behind the neck and into the opposite ear 2-year warranty Important wearing note! The longer side of the asymetrical cable goes behind the neck and into the opposite ear. This mimics a single sided cable and reduces the amount of cable in front of the wearer during physical activity. This is a safety and ergonomic feature. Includes:MX 460 Additional earpads

Features

• Lightweight and comfortable economical headphones
• Features smooth silver design and leatherette ear pads
• Delivers powerful, bass-driven sound
• Comes with manufacturer's 2-year warranty

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Canon

Features

• Maximum 4800x2400 dpi FINE printhead technology
• Photo Lab quality 11-inchx14-inch color photo in approximately 1 minute 23 seconds
• Support for fine art paper up to 13"x19" with two separate paper paths, including front feeder for heavy-weight paper types
• Professional printer features using Easy-PhotoPrint Pro plug-in software
• Ambient Light Correction feature; optimizes color output to match the specified lighting condition