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Novelty Cake Pan: Guitar. The leader in cake decorating tools Wilton doesn't mess around with anything but the best! Their bake ware is the choice of serious bakers for wedding cakes and other special occasions. Features: thick durable construction, pure aluminum for consistent and professional results. Constructed of Aluminum for rust resistance and easy washing. Package takes any two-layer cake mix and includes instructions. Pan measures: 16-1/2" x 8-1/2" x 2".

Features

• Takes one standard mix
• Quality anodized aluminum construction
• Measures 16-1/2 by 8-1/2 by 2 inches
• Handwashing recommended

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Made by one of the largest manufacturers of candy and soap molds, our chocolate and candy molds create fun shapes for parties, home cooking, or commercial candy shops. All chocolate candy molds are reusable and made of durable PETG plastic, and FDA approved.

Features

• FDA Approved
• Not Dishwasher Safe
• Not Suitable For Hard Candy
• Available Uses: Chocolate, Soap, and Plaster
• Made Of Durable PETG Plastic

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Cutter is approx. 4-1/2 h x 2-1/4 w. Made of tinned steel. Hand wash and dry. **

Features

• Make holiday or everyday cookies extra special when cut into shapes. Decorate with royal icing,...
• Sold individually
• Size: 4½"
• Dimensions: 4½"L × 1"D

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What happens when three of the world's finest rock guitarists gather to discuss music? Find out in this engrossing documentary that brings together Led Zeppelin's Jimmy Page, U2's The Edge, and The White Stripes' Jack White for a candid conversation about the impact that the invention of the electric guitar has had on society as well as their lives and careers. 98 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), Spanish, Arabic, Portuguese.

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

Features

• Blu-Ray Disc
• Featuring The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes)
• Format Blu-Ray Disc

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Though most of Black Sabbath's classic material from this album ("War Pigs," "Iron Man," "Fairies Wear Boots," and the title track) can also be found on the collection We Sold Our Soul for Rock & Roll, Paranoid is essential for the completist. One of the best albums from one of the bands to define heavy metal, this album is chock-full of the best stuff from Sabbath's Osbourne years. (Where else will you be able to hear "Rat Salad?") The music isn't exactly complex, but it doesn't need to be; its importance lies in its evocative power, with which any teenager will be able to identify. --Genevieve Williams

No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 9-MAR-1989

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The Sony DVD It Might Get Loud is an epic, exhilarating backstage pass into the world of rock stars. There are guitar players, and then there are rock stars. Over the course of one day, three generations of electric guitar phenoms come together, crank up their amps, and let it roll.Documentarian Davis Guggenheim gives us so much more than an all-star jam session (that alone would make even the gnarliest of rock geeks giddy). He leads us to the artists' inner sanctums and illuminates the paths each one traveled to forge a sound of his own. We begin to understand how a one-time furniture upholsterer from Detroit, a London studio musician, and a Dublin schoolboy redefined the horizons of guitar playing. Meanwhile, Jimmy Page (Led Zeppelin), the Edge (U2), and Jack White (The White Stripes) seem to genuinely enjoy each other's company while sharing riffs, swapping stories, and divulging their distinct philosophies of craft. This soulful DVD is at once a portrait of each artist and also a captivating examination of the creative process. It Might Get Loud does get loud, and in the process, opens up our minds and hearts to a whole new way of listening to and enjoying what it means to rock.

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

Features

• Duration: 98 minutes

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This video will introduce guitarists to the world of playing electric slide guitar in open G and open E tunings. David begins with the basics of getting a good slide sound, takes you through slide scale patterns and riffs in open position and up the neck, and demonstrates step-by-step how to create riffs, solos and backup parts in the styles of Muddy Waters, Elmore James, Duane Allman and Ry Cooder. The accompanying booklet features easy-to-follow notation and diagrams that correspond exactly to the video...

Features

• Size: 8" x 4-3/4"
• ISBN: 793591805

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VINNIE MOORE "Advanced Lead Guitar Techniques" features: Left & right hand exercises for speed and accuracy, theory, substitution scales, playing scales in seconds, thirds, etc., advanced "pivoting" licks & exercises, the classical violin-like technique, arpeggio "sweeps," building triplet patterns, advanced chromatic exercises and more (60 min.)

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Satiric rockers Tenacious D (Jack Black and Kyle Gass) take the spotlight in a two-disc program that offers a fabulous overview of the cult group. A live 2002 concert from London's Brixton Academy, the six-episode HBO series that told the story of D's early days, music videos, and TV appearances are among the goodies here. Songs include "Wonderboy," "Friendship," "Dio," and "The Cosmic Shame." 206 min. Standard; Soundtrack: English Dolby Digital 5. 1.

If you're not a Tenacious D fan already, The Complete Master Works might make you an instant convert (or scare you away; it all depends). One thing's for sure: If you thought "the D" were nothing more than a novelty act, this two-disc feast will set you straight, proving that classically trained guitarist Kyle Gass and fast-rising comedy star Jack Black (School of Rock) are a bona fide acoustic power duo, scorching the pop-cultural landscape with their satirically scathing lyrics while qualifying as legitimate musicians with awesome chops and just enough insanity to make them dangerous on stage. Disc 1 ("For Fans") is all meat and potatoes, consisting of a brilliant concert (taped at London's Brixton Academy, November 3, 2002) in which Black casts himself as an abrasive provocateur, daring to offend "KG" and the audience alike with barbed taunts and spiteful attitude (all faked, of course, but convincing enough to sucker the gullible). The musicianship is first-rate, and Black's vocals remarkably spry, a deft combination of rapid-fire scatting and heavy-metal worship. The HBO episodes chronicle TD's early years as their popularity was still mostly an L.A.-based phenomenon, and without exception they're wet-your-pants hilarious. Disc 2 is aptly dubbed "For Psycho Fans," offering a potpourri of TD ephemera for true devotees, including three HBO short films that are gross enough (and funny enough) to make any Farrelly Brothers comedy look positively tame by comparison (in other words, this definitely isn't kid's stuff). The TV appearances are somewhat redundant with the concert material, and the "On the Road" video diaries are perfunctory but fun. The best is saved for last: two music videos paired with "making-of" featurettes, including Spike Jonze's fantasy-oriented video for "Wonderboy," and a devilishly adult-oriented video for "FHG" (salacious "D" fans know what that means) from the animators of Ren & Stimpy. If you're offended, don't blame "Kage" and "Jables"--their Tenacious DVD has "Parental Advisory" clearly stamped on its cover, and prudes are well-advised to stay away. --Jeff Shannon