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Videos, photos and other content can enjoy high-definition screen. PET as material that provides clear contrast and brightness Steinheil SQ is made with upgraded quality optical enhancement. SGP's premium screen protector film. LCD Screen SQ Protection for iPad

Features

• Videos, photos and other content can enjoy high-definition screen
• PET as material that provides clear contrast and brightness
• Steinheil SQ is made with upgraded quality optical enhancement
• SGP's premium screen protector film
• LCD Screen SQ Protection for iPad

Sale Price: $6.99

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Boston Bruins NHL Hockey High Definition Official Shot Glass. Great gift for holidays, birthdays, etc.

Features

• Great gift.

List Price: $16.99
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Cabin on the Train Tracks High Definition Range Mug is new. Why drink coffee out of an ordinary mug when an imprinted mug is so much cooler? Microwave safe, FDA approved. Image is printed on both sides of the mug. Dishwasher use is not recommended.

List Price: $44.00

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Our Hemp Protein 50% is fantastic for athletes and smoothie-lovers who want higher protein and superior flavor. We simply sift out more of the fiber to boost the protein content to 50%, yielding a sweet, smooth and light powder. Its so delicious many of our customers report they love to eat it off the spoon!It's the Gold Standard of Plant Protein. Hemp protein also contains large amounts of zinc, iron, and magnesium. Hemp's fiber is 90% insoluble and 10% soluble.

Features

• Made from USDA-certified-organic hempseeds
• 50% protein, 20% fiber, 12% beneficial fats plus vitamin E and iron
• Blends smooth and creamy for a sweet tasting protein
• Stir into juices, smoothies; also add to cereal, yogurt, batter mixes
• Imported; hempseeds legally grown by Canadian farmers

Sale Price: $49.99

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"Nocellara" extra virgin olive oil is decisively fruity and has a peppery finish. We refer to it as the "Niagara Falls" of flavor. It is great for dipping as well as for most dishes typically paired with red wines such as red sauces, pasta, legume soups, rich salads, and roasted meats. Furthermore, Nocellara has been included in the list of "Best Olive Oils In The World" by German gourmet magazine "Des Feinschmecker" and Italian olive oil professional association "Mastri Oleari".

Features

• Gourmet Extra Virgin Olive Oil Half Liter Bottle (about 17 oz)
• Grown, pressed and bottled 100% in Sicily.
• Hand picked, cold pressed, non genetically modified, 100% organic certified
• Made from a single olive variety of "Nocellara del Belice"
• Family Reserve, October 2010 harvest

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We call "Biancolilla" the "Cashmere glow" of flavor and it goes really well on most delicate dishes that are usually paired with white wine, such as delicate salads, steamed fish, and fresh cheeses. Perfect for the summer.

Features

• Gourmet Extra Virgin Olive Oil Half Liter Bottle (about 17 oz)
• Grown, pressed and bottled 100% in Sicily.
• Hand picked, cold pressed, certified organic, non genetically modified, gluten free.
• Made from a single olive variety of "Biancolilla", perfect for summer recipes
• Family Reserve, October 2010 harvest

List Price: $17.98
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Based on Pink Floyd's hit album, this dazzling rock musical stars Bob Geldof as Pink, a rock star tortured by his past and descending into madness. His breakdown is represented by striking live-action and animated sequences and such Floyd songs as "Another Brick in the Wall," "Comfortably Numb," "Goodbye Blue Sky," "The Trial" and others. With Bob Hoskins, Christine Hargreaves; Alan Parker directs. 83 min. Widescreen; Soundtrack: English Dolby Digital 5.1; documentary; photo gallery; theatrical trailer; movie poster.

By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon

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DANCE IN THE DARK / GLITTER AND GREASE / JUST DANCE / BEAUTIFUL, DIRTY, RICH / THE FAME / LOVEGAME / BOYS BOYS BOYS / MONEY HONEY / TELEPHONE / SPEECHLESS / YOU AND I / SO HAPPY I COULD DIE / MONSTER / TEETH / ALEJANDRO / POKER FACE / PAPARAZZI / BAD ROMANCE / BORN THIS WAY / Bonus Content: BORN THIS WAY A Cappella / BACKSTAGE AT THE MONSTER BALL / PHOTO GALLERY

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Musical friends Dave Matthews and Tim Reynolds present a variety of hits in this concert that was recorded at New York City's legendary Radio City Music Hall. Includes performances of "Bartender," "When the World Ends," "Betrayal," "Out of My Hands," "Cornbread," "Crash Into Me," "You Are My Sanity," "Grace Is Gone," and more. 150 min. Widescreen; Soundtracks: English Dolby TrueHD, Dolby Digital 5.1, PCM stereo; documentary; photo gallery. Two-disc set.

Socialites in the Hamptons paid up to $15,000 for the privilege of seeing this duo in action just a few weeks before the release of Live at Radio City Music Hall. Not that it was any easier to get tickets to the April 22, 2007, concert in New York that produced this recording, available on CD or DVD with high-definition 5.1 surround sound and an additional 46-minute film of backstage footage. The acoustic set features the veteran musicians performing for nearly two-and-a-half hours--and you get the feeling they could have easily kept going. Reynolds gets his solo turn on "Betrayal" and "You Are My Sanity," but it's a chatty Matthews who seems to be relishing the occasion more, stripping down some of his band's most popular songs ("Lie in Our Graves," "Two Step") while giving the fans a sneak peek at a couple of its new ones ("Eh Hee," "Cornbread"). The guy's even thrown in a few covers for kicks, including Neil Young's "Down by the River" and Daniel Lanois' "The Maker." In terms of audio quality and packaging, it marks a vast improvement over the pair's first release, 1999's Live at Luther College. And the best part is that it doesn't cost more than a yacht. --Aidin Vaziri

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Episode I, The Phantom Menace "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson Episode II, Attack of the Clones If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon Episode III, Revenge of the Sith Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid). It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids. But then it all changes. After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vader and face an ultimate showdown with his mentor, but that doesn't matter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to. Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once again glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi

Share the excitement…uncover every secret...experience the epic story of STAR WARS as never before...now on Blu-ray in spectacular high definition with the purest digital sound in the galaxy! The greatest space saga ever told begins with STAR WARS: EPISODE I - THE PHANTOM MENACE, STAR WARS: EPISODE II - ATTACK OF THE CLONES and STAR WARS: EPISODE III - REVENGE OF THE SITH and follows young Anakin Skywalker's descent to the dark side as he transforms from child slave to Jedi apprentice to the evil Darth Vader!Product Measures: 1.5 x 5.5 x 7.5