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Videos, photos and other content can enjoy high-definition screen. PET as material that provides clear contrast and brightness Steinheil SQ is made with upgraded quality optical enhancement. SGP's premium screen protector film. LCD Screen SQ Protection for iPad

Features

• Videos, photos and other content can enjoy high-definition screen
• PET as material that provides clear contrast and brightness
• Steinheil SQ is made with upgraded quality optical enhancement
• SGP's premium screen protector film
• LCD Screen SQ Protection for iPad

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Boston Bruins NHL Hockey High Definition Official Shot Glass. Great gift for holidays, birthdays, etc.

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• Great gift.

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Cabin on the Train Tracks High Definition Range Mug is new. Why drink coffee out of an ordinary mug when an imprinted mug is so much cooler? Microwave safe, FDA approved. Image is printed on both sides of the mug. Dishwasher use is not recommended.

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Based on Pink Floyd's hit album, this dazzling rock musical stars Bob Geldof as Pink, a rock star tortured by his past and descending into madness. His breakdown is represented by striking live-action and animated sequences and such Floyd songs as "Another Brick in the Wall," "Comfortably Numb," "Goodbye Blue Sky," "The Trial" and others. With Bob Hoskins, Christine Hargreaves; Alan Parker directs. 83 min. Widescreen; Soundtrack: English Dolby Digital 5.1; documentary; photo gallery; theatrical trailer; movie poster.

By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon

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DANCE IN THE DARK / GLITTER AND GREASE / JUST DANCE / BEAUTIFUL, DIRTY, RICH / THE FAME / LOVEGAME / BOYS BOYS BOYS / MONEY HONEY / TELEPHONE / SPEECHLESS / YOU AND I / SO HAPPY I COULD DIE / MONSTER / TEETH / ALEJANDRO / POKER FACE / PAPARAZZI / BAD ROMANCE / BORN THIS WAY / Bonus Content: BORN THIS WAY A Cappella / BACKSTAGE AT THE MONSTER BALL / PHOTO GALLERY

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Musical friends Dave Matthews and Tim Reynolds present a variety of hits in this concert that was recorded at New York City's legendary Radio City Music Hall. Includes performances of "Bartender," "When the World Ends," "Betrayal," "Out of My Hands," "Cornbread," "Crash Into Me," "You Are My Sanity," "Grace Is Gone," and more. 150 min. Widescreen; Soundtracks: English Dolby TrueHD, Dolby Digital 5.1, PCM stereo; documentary; photo gallery. Two-disc set.

Socialites in the Hamptons paid up to $15,000 for the privilege of seeing this duo in action just a few weeks before the release of Live at Radio City Music Hall. Not that it was any easier to get tickets to the April 22, 2007, concert in New York that produced this recording, available on CD or DVD with high-definition 5.1 surround sound and an additional 46-minute film of backstage footage. The acoustic set features the veteran musicians performing for nearly two-and-a-half hours--and you get the feeling they could have easily kept going. Reynolds gets his solo turn on "Betrayal" and "You Are My Sanity," but it's a chatty Matthews who seems to be relishing the occasion more, stripping down some of his band's most popular songs ("Lie in Our Graves," "Two Step") while giving the fans a sneak peek at a couple of its new ones ("Eh Hee," "Cornbread"). The guy's even thrown in a few covers for kicks, including Neil Young's "Down by the River" and Daniel Lanois' "The Maker." In terms of audio quality and packaging, it marks a vast improvement over the pair's first release, 1999's Live at Luther College. And the best part is that it doesn't cost more than a yacht. --Aidin Vaziri

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Episode I, The Phantom Menace "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson Episode II, Attack of the Clones If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon Episode III, Revenge of the Sith Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid). It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids. But then it all changes. After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vader and face an ultimate showdown with his mentor, but that doesn't matter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to. Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once again glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi

Share the excitement…uncover every secret...experience the epic story of STAR WARS as never before...now on Blu-ray in spectacular high definition with the purest digital sound in the galaxy! The greatest space saga ever told begins with STAR WARS: EPISODE I - THE PHANTOM MENACE, STAR WARS: EPISODE II - ATTACK OF THE CLONES and STAR WARS: EPISODE III - REVENGE OF THE SITH and follows young Anakin Skywalker's descent to the dark side as he transforms from child slave to Jedi apprentice to the evil Darth Vader!Product Measures: 1.5 x 5.5 x 7.5

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Includes the episodes "Encounter at Farpoint," "Sins of the Father," and "The Inner Light." 182 min. total. Standard; Soundtracks: English DTS HD 7.1 Master Audio, Dolby Digital stereo Surround, French Dolby Digital mono, Spanish Dolby Digital mono, German Dolby Digital stereo, Japanese Dolby Digital mono; Subtitles: English (SDH), French, Spanish, Danish, Dutch, Finnish, German, Japanese, Norwegian, Swedish.

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The Lord of the Rings: The Fellowship of the Ring: As the triumphant start of a trilogy, The Lord of the Rings: The Fellowship of the Ring leaves you begging for more. By necessity, Peter Jackson's ambitious epic compresses J.R.R. Tolkien's classic The Lord of the Rings, but this robust adaptation maintains reverent allegiance to Tolkien's creation, instantly qualifying as one of the greatest fantasy films ever made. At 178 minutes, it's long enough to establish the myriad inhabitants of Middle-earth, the legendary Rings of Power, and the fellowship of hobbits, elves, dwarves, and humans--led by the wizard Gandalf (Ian McKellen) and the brave hobbit Frodo (Elijah Wood)--who must battle terrifying forces of evil on their perilous journey to destroy the One Ring in the land of Mordor. Superbly paced, the film is both epic and intimate, offering astonishing special effects and production design while emphasizing the emotional intensity of Frodo's adventure. Ending on a perfect note of heroic loyalty and rich anticipation, this wondrous fantasy continues in The Two Towers (2002). --Jeff ShannonThe Lord of the Rings: The Two Towers: The Lord of the Rings: The Two Towers is a seamless continuation of Peter Jackson's epic fantasy based on the works of J.R.R. Tolkien. After the breaking of the Fellowship, Frodo (Elijah Wood) and Sam (Sean Astin) journey to Mordor to destroy the One Ring of Power with the creature Gollum as their guide. Meanwhile, Aragorn (Viggo Mortensen), Legolas (Orlando Bloom), and Gimli (John Rhys-Davies) join in the defense of the people of Rohan, who are the first target in the eradication of the race of Men by the renegade wizard Saruman (Christopher Lee) and the dark lord Sauron. Fantastic creatures, astounding visual effects, and a climactic battle at the fortress of Helm's Deep make The Two Towers a worthy successor to The Fellowship of the Ring, grander in scale but retaining the story's emotional intimacy. These two films are perhaps the greatest fantasy films ever made, but they're merely a prelude to the cataclysmic events of The Return of the King. --David HoriuchiLord of the Rings: The Return of the King: With The Return of the King, the greatest fantasy epic in film history draws to a grand and glorious conclusion. Director Peter Jackson's awe-inspiring adaptation of the Tolkien classic The Lord of the Rings could never fully satisfy those who remain exclusively loyal to Tolkien's expansive literature, but as a showcase for physical and technical craftsmanship it is unsurpassed in pure scale and ambition, setting milestone after cinematic milestone as the brave yet charmingly innocent Hobbit Frodo (Elijah Wood) continues his mission to Mordor, where he is destined to destroy the soul-corrupting One Ring of Power in the molten lava of Mount Doom. While the heir to the kingdom of Men, Aragorn (Viggo Mortensen), endures the massive battle at Minas Tirith with the allegiance of the elf Legolas (Orlando Bloom), dwarf Gimli (John Rhys-Davies) and the great wizard Gandalf (Ian McKellen), Frodo and stalwart companion Samwise Gamgee (Sean Astin) must survive the schizoid deceptions of Gollum, who remains utterly convincing as a hybrid of performance (by Andy Serkis) and subtly nuanced computer animation. Jackson and cowriters Fran Walsh and Philippa Boyens have much ground to cover; that they do so with intense pacing and epic sweep is impressive enough, but by investing greater depth and consequence in the actions of fellow Hobbits Merry (Dominic Monaghan) and Pippin (Billy Boyd), they ensure that Return of the King maintains the trilogy's emphasis on intimate fellowship. While several major characters appear only briefly, and one (Christopher Lee's evil wizard, Saruman) relegated entirely to the extended version on DVD, Jackson is to be commended for his editorial acumen; like Legolas the archer, his aim as a filmmaker is consistently true, and he remains faithful to Tolkien's overall vision. If Return suffers from too many endings, as some critic suggested, it's only because the epic's conclusion is so loyally inclusive of the actors--most notably Astin--who gave it such strength to begin with. By ending the LOTR trilogy with noble integrity and faith in the power of imaginative storytelling, The Return of the King, like its predecessors, will stand as an adventure for the ages. --Jeff Shannon

Nine-disc set includes "The Lord of the Rings: The Fellowship of the Ring," "The Lord of the Rings: The Two Towers," and "The Lord of the Rings: The Return of the King." NOTE: This Title Is Out Of Print; Limit One Per Customer.

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OTT-LITE® VisionSaver bulbs creates a natural-like daylight indoors that makes reading easier and more comfortable. The bulbs reduce eyestrain caused by glare and are low heat and energy efficient. 13 watt tube light bulb. One bulb per pack. Price is for one bulb.

Features

• Superior image and color rendering
• Low heat, low glare illumination helps reduce eyestrain
• Energy efficient bulb rated to last up to 10,000 hours
• Lasts longer than conventional bulbs and saves more energy
• For use only as a replacement bulb with specific OttLite lamps - bulb type A